I really enjoyed "Maxwell's Silver Hammer." It was the most complete arrangement up to that point, at least that we see. It makes me wonder how they decided which songs would be part of the final project, and which would be held on to for a later album (and, ironically, released sooner). Mal Evans gets a lot of random air time in Beatles films and videos (and at least one solo video as well
). I'm not sure if the anvil tops "White Cliffs of Dover?" from Help!, but it comes close. I'm guessing that it wasn't a coincidence that Linda came in the day after the "waltz." Speaking of which, as harmless as it was, John should have noticed that George was looking for reasons to be put off. Peter Jackson gets big time points for the way he shifts between Dennis O'Dell (who just passed a couple of days ago) going over stage details with John and Michael Lindsay-Hogg begging Ringo to go along with his vision, while Paul can be heard creating "Let It Be" in the background.