One of the biggest Shea highlights from the otherwise miserable 2003 season was that Bruce Springsteen and the E Street Band ended their 02-03 world tour with 3 nights at Shea. I had been following the tour for quite a while and each of the shows at Shea were among the best that I had seen. That this tour was ending was in some ways sad, because it wasn't clear when (or if? -- they were getting older) we'd see the E Street Band again. When they had reunited several years earlier for their previous tour (in fairness, a mostly nostalgia-fest), it was lots of fun, but that they could go out with a brand new album of relevant rock music was the true payoff of the reunion. He had already played 10 nights at Giants Stadium in the summer, so another 3 in the NY area seemed somewhat excessive (the seats were pretty much filled, though). By the end of the tour, however, Springsteen had opened up the setlist to include songs even from the deepest reaches of his catalog which was a treat for those who had seen more than one or two shows by that point. Highlights from the shows (and there were many) included Springsteen revisiting "American Skin (41 Shots)," the song that brought him so much controversy from the dimwitted NYC Police when he played it at the Garden in 2000; some highly politicized moments (including using "Souls of the Departed," "Roulette" and "Code of Silence" to open each show) a magnificent "New York City Serenade" on the second night; "Into the Fire," dedicated to a Long Island firefighter who missed the show by a week, having been killed in the line of duty -- his wife had gotten him the seats for his birthday; Al Leiter joining on some badly-played tambourine for "Rosalita;" and a surprise appearance by Bob Dylan on the final night, joining Springsteen on stage for "Highway 61 Revisited." I had never been to Shea before for a non-baseball event, so it was strange to see the scoreboard hidden behind the stage, completely turned off. Bringing up all of the baseball lights for "Born to Run" was pretty damn cool, even if you'd seen the song in concert 30 times before. Entrance to the field seats was through the bullpens, which provided that fun reliever-perspective of entering the field.