Bryan Curtis of the Ringer, as perceptive a media writer as there is, on the developing situation: https://www.theringer.com/2020/3/10/21173499/coronavirus-locker-room-mlb-nba-nfl-sportswritinghttps://www.theringer.com/2020/3/10/21173499/coronavirus-locker-room-mlb-nba-nfl-sportswriting When access is impinged on, fans often ask, What's the big deal? Since game stories do not typically include stage directions, it's worth spelling out what actually happens in locker rooms. Writers might ask a player a question for quotation. They might ask a question not for quotation but for information. They might yuk it up to build a relationship with a player, which may inform future articles. Sometimes, the writers just observe how the players act or how they hobble. As the Reds' Joey Votto told writer C. Trent Rosecrans: “How a player reacted can be told through facial expressions, getting to know that person, and tone.” Over the weekend, Sports Illustrated's Grant Wahl suggested such rituals could be replicated outside a locker room. They could be observed in a soccer-style “mixed zone”—basically, an area where reporters stand and hope a player stops to talk to them. This system—which we're gonna test-drive starting Tuesday—removes the single most important thing about American locker room access, which is the involuntary part. Now, the player will decide whether he or she will even stop to hear nosy questions. Ask a European soccer writer how often they do. Closed locker rooms have created a post-access hellscape in the U.K., where most writers barely know the players; where they barely fake-know the players; and where any sort of in-depth feature, even about a Clint Capela–level supporting actor, is bartered for with a product plug. There are a lot of dreary things about American sportswriting. This vision is way worse. In high-traffic situations like the NBA playoffs, postgame interviews are often moved from the locker room to a podium in another room. Even this, however well-intentioned, is generally bad. Podiums create theater rather than human conversation (the old White House briefing comes to mind). Plus, the reporters who thrive in those settings are the ones who've been in the locker room all year, gathering material they can use in the postseason.