Now, is anybody's original thought "eroded" by exposure to my critical opinion? Gosh, i'd hope not.Of course not. The point is that when the most powerful critic of his or her era loves a movie and points out what to find, weaker critics who aren't sure what they think will fall in line, rather than risk an original thought. People will fall over like dominoes. There are literally thousands of people right now saying that they like Brokeback Mountain, because they think they're supposed to because of who they think they are. There are also thousands at this moment saying they don't like it because of who they think they are, and who they align themselves with. Many of these folks haven't even seen it. If Howard Stern says boo, a million yahoos fall in line, it doesn't matter what the subjectMy statement was that folks are being asked their firm opinion now after seeing a film without (1) the benefit of time and perspective, unfortunately (I used the word "benefit" suggesting that this is a positive thing --- it does make more than an iota of difference), and (2) the bullying effect of critical consensus.That's what I think is being solicited. I can read what critics say anywhere. I want to know what sharpie thinks.Basing opinions on MORE data rather than less is a good thing. Always.Some data is bad. Misleading. Biased.You are still asserting that exposure to the opinions of others about a film erodes one's original thoughts, and i still assert that such opinions are worth considering, whether one rejects or accepts the consensus they build (or the lack thereof that they reflect).If it leads to responses along the line of "I didn't think much of it but I gave it a better rating because I have to acknowledge everybody else did and it's enduring influence is such that..."... it seems to defeat the point of this exercise. It doesn't help me. I understand which way the cultural wind is blowing.