I would also compare it to Adventureland, as the narrative turned when the kid entered into the employ of an indifferently operated potential deathtrap of an amusement park. There was also a very evocative sense of the bittersweet amber-preserved timelessness of some beachfront communities. In the beginning, the kid is shown putting earbuds in his ears to listen to music, and later, somebody counts down past years at the beach to suggest that the setting is contemporary, but in most ways it could have been 1985 --- the music, the swimsuit styles, the businesses... . The kid goes to a pizza place and finds a guy playing a coin-op video game, for Pete's sake, and it turns out to be Pac-Man. My main complaint was that the exposition was overdrawn. The dickiness of the boyfriend was so over-the-top hateful, while we seemingly were expected to accept that he was delivering his shit stealthily and was able to fool everybody and himself that he wasn't such a bad guy. And the mean-girls nastiness at the beach, as they all vie for pecking order in the flock at the top of the summer, was real enough in theme, but just un-necessarily heavy handed. Teenage girls are like that, sure, but generally at least try and dance back and forth in pretending they are not. I liked it once the exposition melted away, though. Good turn by Sam Rockwell in a part that's got 31% more depth than the over-broad peripheral characters he usually gets.