Yeah, the specter of Dylan is in the movie on a few occasions, particularly early on. The two were both rivals and, for a time at least, somewhat friendly although tales of Dylan using Ochs as a punching bag to promote himself came out as well; "he [Dylan] was such a prick", I believe was a quote from one of the Ochs-ian commentators. Several of the voices from the Ochs camp also seemed determined to preach to the camera about how it was Phil who was the true committed protest singer of the era as if there exists a need to remind everyone that Dylan was only briefly an in-your-face social issues writer/singer and combat the occasional broad media portraits that still pigeonhole him as such to the detriment of the likes of Ochs and others.