Yeah, this is pretty bad inking. It is possible to tell good inking from bad inking. The easiest way is to compare works by the same penciler with different inkers. When I was first reading comics I couldn't understand how Rich Buckler's art could look so good one issue, and so terrible in another issue. Then it clicked: He looked good when inked by Joe Sinnott, and terrible when inked by Chic Stone. A guy like Sinnott didn't just trace over the pencils, he used his own artistic skills to enhance what the pencil artist put on the page. He was so good that a lot of pencilers took shortcuts when Sinnott was inking; they'd just do rough breakdowns knowing that Sinnott would be able to bring the breakdowns to life. (And if Sinnott had to bail on a particular issue for any reason, the job down by the fill-in guy was noticeably inferior. Joe Sinnott had a very high VORP.) And if you look at anything inked by Tom Palmer, especially when he worked with Gene Colon, you can see what a master he was. His inks really lent mood to the artwork. What he did on Tomb of Dracula was incredible. This Mets comic, by the way, is absolutely wretched. It seems like it was written by a ten-year-old for the entertainment of five-year-olds.