Hmmm... just me again, huh? Well, you're not missing anything. I mean, you're missing a step on the evolutionary ladder of what filmgoing is to become, but other than that... no. Seems like Jackson did everything he could to avoid being the director on this series, and when it came down to him, he was more interested in using the property to advance filmmaking as a science, with no regard to filmmaking as an art. He also seems sad and angry. In many ways, Smaug seems like an analog for Jackson. He's achieved his wildest dreams of success and power, sitting on top of an unthinkable pile of wealth and artistic artifacts, and yet unsettled in it all, making a fight out of his encounter with Bilbo just to have a project to escape the day-to-day banality that complete worldly success brings. Jackson has taken on Bilbo and the dwarves for seemingly the same reason, and he's similarly awakening from a torpor and blowing a lot of smoke and wrecking something beautiful. The main result of the ballyhooed 48 fps technology was --- from my seat --- to make the sets look so vivid... that they look like sets, and the CGI looks like CGI.