[fimg=555]https://farm2.staticflickr.com/1537/26040717884_34f30c1bc0_o.jpg[/fimg] You could see how Topps was determined to crop out the faces of those fans following Mazeroski to home plate while, obviously, keeping Maz himself in the shot. With today's tools, you could take out the fans in about a minute - cleanly - and then you'd have a shot that's framed or cropped so that the top border isn't right on the top of the head of Mazeroski. As the focal point of that shot, Maz's whole body should've been in that crop, including his right arm, extended in the air. OE: The more I stare at the Maz b&w, the more I believe that Maz's right arm is the key element in the pic. They could have done that in those days too. It would have taken a few more steps in the process. You should make a version of that, how it should be. Cause, yes, it's a travesty that Maz was so cropped. What a wonderful photo ruined. Shame on Topps. It's funny you write that because as I was re-reading my post, after it was sent, I thought the same thing. The artists could have hand painted grass and dirt over where the fans were -- if they wanted to invest the time. As for new versions of that card, depends what you mean by a new version. If you wanted to reproduce the exact feel of those '61 cards, you'd be the person for that job. You can colorize to make the b&w photo look as if was photographed and developed using the same technology and equipment available 55 years ago. I can make a color card from that photo, but it'll have another vibe. So here's another version of the Mazeroski WS card. I didn't color it all the way through, but you get the idea of how that card would look if Maz's body was left whole and uncut. [fimg=777]https://farm2.staticflickr.com/1538/26599794531_44e694d784_o.jpg[/fimg][fimg=444]https://farm2.staticflickr.com/1537/26040717884_34f30c1bc0_o.jpg[/fimg]