i liked Wiig and Maya Rudolph's relationship, Yeah, it was a relationship you can immediately recognize, but is almost never depicted onscreen. It was almost like the writers and directors and actors have hung out with actual human beings in the last 10-20 years. and Melissa McCarthy is one strangely compelling actress. Yeah, you give in to that character despite yourself, don't you? But i found Wiig's character really unsympathetic and whiny, so i wasn't rooting for her as hard as i needed to in order to LIKE IT like it, as the girls say. I hear you, girlfriend. She was weak and self-destructive, but I think it's a virtue that she was such a fuck-up, assuring me that I'm not watching another Q-Rating-driven piece of excrement. My wife made unfamiliar noises of recognition and sympathy from the get-go, and while you're welcome to believe that says more about her than the filmmakers, I appreciated it. I figured a movie called Bridesmaids could have been one of two things. One, it could have been a saccharine unfunny overglamourous rom-com starring Jennifer Lopez, Kate Hudson, and makeup, fashions, and hairstyles that paid their way into the movie. Two, it could have been a crude sendup by a second-rate John Waters exploding the whole exploitative wedding industrial complex and accompanying bridesmaid humiliation. I gave it a chance because I heard from a friend how she was present at the genesis of this thing and saw it through as the creators developed it and loved it the whole way. That friend is of the female persuasion and living in Hollywood, but I thought, "what the hell?" It was both sentimental and crude but damned if they didn't find a third way. (Minor Spoiler Alert: At one point in this film, a re-united Wilson Phillips appears onscreen. The three singers, while not shown close-up, are clearly shellacked in a horrifying amount of makeup. It comes late enough in the film, that as I noted it, I thought, "Oh yeah, that's kind of what I was expecting from this whole film.") At some points, as the tension mounts and the protagonist makes some terrible choices that expose her to bitter humiliation, I found myself reduced to some Three's Company-type embarrassment where I was physically moved to turn away from the screen or wipe my hands on my clothes, but I was committed to see it through, and am glad I did. I think women will recognize the characters with the same sort of endearing embarrassment that men had for the characters in SuperBad, and I really think the creators have a good chance at having a perennial on their hands here.